The Jade Peony Essay Research Paper A free essay sample

The Jade Peony Essay, Research Paper A victim could be described as a individual cheated, injured, or even fooled by fortunes. Yet it seems that the thought of victimization has become a symbol of Canada for Canadian writers. Margaret Atwood explains in, ? The Victim Theory, ? that in most cases of literature, the cardinal subject is? au naturel endurance in the face of? hostile? elements? ( Atwood, ? The Victim Theory? 77 ) Hence, for the Gallic Canadians after the English took over, ? it became cultural endurance, hanging on as people, retaining a faith and a linguistic communication under an foreign authorities? ( Atwood 77 ) . Unlike the manner of the Americans or the English, who hold out excitement and security, the Canadian literature can be seen on the opposite side of the spectrum with its unwanted anxiousness. Consequently, The Jade Peony, written by Wayson Choy, is a narrative about a Chinese household life in Vancouver, within the bosom of Chinatown. We will write a custom essay sample on The Jade Peony Essay Research Paper A or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The narrative presents the battles and bad lucks that the characters have undergone, therefore admiting the thought of endurance. As a co-relation to survival, Margaret Atwood introduces places that make the character a victim, ? First of which is denying the fact that you are a victim at all? ( Atwood 79 ) . In the 2nd place, nevertheless, the character is a victim but believes that it is at that place merely by Fate. Furthermore, in Canadian literature, the subsister is non a master or even receive victory but has merely the fact of cognizing his ordeal ; and sometimes, the obstructions that a character faces are non even external factors, but instead it is a religious endurance. Therefore, The Jade Peony, written by Wayson Choy agrees with Margaret Atwood? s? The Victim Theory. ? Jung-Sum is a victim, but denying the fact that he is makes him carry through the first primary place. Jung-Sum was brought in to Canada, due to the war that had took topographic point in China ; and shortly became the adoptive boy of a Chinese twosome. Jung-Sum efficaciously proves that he is a victim, for both his parents had died early in his life and he was left all entirely with no 1 to take attention of him. He is four old ages old, and yet he is forced to populate a life that merely one can awfully conceive of of. Nevertheless, Jung-Sum denies the fact that he is a victim. During the procedure of acceptance, his stepmother cutely asks him, ? Who feeds you now? ? ( Choy, The Jade Peony 83 ) Granted the state of affairs, he replies, ? I FEED MYSELF NOW? ( Choy 84 ) . His response to his stepmother proves that he is non ready to give up on life and he realizes there is a future in front of him. At such a stamp age, he is willing to take attention of himself. With all the choler i nside of him and no superior authorization to care of his demands, he tends to? feign that certain seeable facts do non be? ( Atwood 79 ) . He still thinks that his parents are alive and will come back for him, although he himself witnessed the decease of his parents. Furthermore, he suppresses his choler by seeking to transport on life by himself. ? I grabbed my bag to run off. The Old One pulled me back? ( Choy 82 ) . He has bravery to travel on with life, although he has so many grounds non to. Yet, the fact that he thinks he can take on heavy duties of life himself makes him a stronger individual. He tries to deny the fact that he is a victim by making out for the hereafter. Therefore, he is willing to bury the yesteryear, and wants to do a life of his ain. Poh-Poh, the grandma, believes that there is an unmanageable force behind her ordeal # 8211 ; Fate. Her ordeal is something most atrocious to the human oculus. When she was brought into the universe, her female parent confessed that she was? twice-cursed for being born ugly and a girl-child? ( Choy 41 ) . Furthermore, Poh-Poh? s male parent desiring a boy, bicker at her female parent? s face and left them everlastingly. However, she is enduring because she believes that she can non alter the state of affairs herself. She doesn? t talk about her ordeals with anyone, even her household members, for she believes that it will allure the Gods to convey more expletives on her. Furthermore, she neer fought to work out her ordeals, since destiny would convey her something better in the hereafter. As a consequence, she took in all the troubles that life presented with endurance and submissiveness. She vividly proves the victim theory because she doesn? Ts need the feel to set her status, hol ding a inactive credence of her destiny. However, her ordeal did non stop at a immature age. When she was nine old ages old, she was sold into the Shanghai household as a retainer. During her stay at that place, the First Concubine was non affectionate of Poh-Poh. Because Poh-Poh had non learned fast plenty to knot pom-pom flowers, ? her thin kid? s back was whipped with a knotted belt and beaten with a switch? ( Choy 35 ) . She believes that all these ordeals that she experienced was merely lesson in life. Although life seemed to give her the worst side early, she got the best of life in the terminal. She was pronounced an ugly kid at birth, and yet she grew up to get married and give birth to one boy. She is everlastingly grateful that destiny had given her such a beautiful gift. Therefore, Poh-Poh neer wasted her energy seeking non to be a victim, for she knew that she would merely have what destiny would let. Although Wong-Suk survived his ordeals, he neer received victory for his accomplishments. He had come to Canada, seeking to bury the life in China. His chance came when Canadian companies issued forth statements in China naming for able-bodied workers in constructing the railway. Many work forces took this chance, non merely to go forth the ordeals behind but besides to look for a new hereafter and a new gap. They had besides heard rumor of gold in the rivers that passed down the mountain drops, which would do a adult male really affluent. However, in order for Wong-Suk to come to Canada, he? was to pay back, through his labor, the steerage menu from Canton, his adhering revenue enhancement, plus give back so many old ages of his rewards for shelter, nutrient, and the privilege of being allowed to pay involvement on his debts? ( Choy 50 ) . His privation for a new life moved him to come to Canada. Even after he had come, it wasn? t easy. The labour cantonments were frequently soiled, with no care. He barely had any money left for himself, for he sent most of it place. Finally, at the age of 80, he had finished paying his dues to the authorities. Meanwhile, his stay in Chinatown was non pleasant either. Wong-Suk? s face had the figure of a monkey. Peoples were stating that his female parent possibly? fell in love with a monkey? ( Choy 60 ) . The whole town talked about his monkey-face figure. Though Wong-Suk had gone through many ordeals, there was no triumph or victory in sight. Therefore, he proves that he has small left after his ordeal, and that is? gratitude for lasting the ordeal? ( Atwood 77 ) .

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